Fell in love with this tiny gemstone carving. Do think I see the Mycenaean influence in the standing warrior, but so much of it does look classical! Wonderful find!
Back in 2015, the 3500-year old Mycenaean ‘Griffin Warrior’ grave found in Pylos was touted as “the most important tomb to have been discovered in 65 years in continental Greece” by the country’s Ministry of Culture. Part of this bold statement had to do with the over 3,000 precious objects found in the Mycenaean grave,…
via Researchers astounded by the intricacy of a Mycenaean carved gemstone — Realm of History
“Art is never finished, only abandoned.” Michelangelo
I am in the throes of editing my most recent novel. I have taken my last stab at it myself and sent it out naked and afraid into the hands of other readers to be picked over and marked up. It is a terrible time. The copies will come back to me with heart-breaking slashes, corrections, ideas and warnings…but as painful as some of those will be that is precisely what I want, what is best for me and for my novel. My writing group gives me the input along the way and for me that is a great boon, but this sending my baby out whole to be judged in the harsh light of “Here it is, it’s done,” is nerve wracking. These critiques I prefer to get whole, not a running commentary in bits and pieces over the days. Drop the whole ten ton package on me at once; I will accept the sudden crushing weight and slowly…days, weeks…will begin to sort through it all. I will launch happily into the punctuation corrections, because I suck at it. I will look hard at the grammar, because sometimes they’re right. The toughest parts are the suggestions on story line, character, dialogue, plot movement…my darling quips torn to shreds, that perfect scene devasted, etc. Hard to swallow, hard to bear…but in the end I do swallow it, not whole by any means. Some comments and suggestions are easily discarded…not my story, not what I’m doing. It’s the ones that hit home…that “Oh, my god, they’re right. How do I fix it?” Those are the real prizes received from this stage. Those are the jewels that I receive from this scariest part of my process.
I love my final edit readers, love and fear them. So bring it on!
The Hellenistic World. Using Coins as Sources. By Peter Thonemann. Guides to the Coinage of the Ancient World. Cambridge: Cambridge University Press, 2015. Pp. xxxii + 232. Paper, $34.99. ISBN 978-1-107-45175-9. Reviewed by Philip Kiernan, Kennesaw State University The first in a new series on ancient coinage organized by the American Numismatic Society, this book […]
via CJ-Online Review ~ The Hellenistic World. Using Coins as Sources — rogueclassicism
I have been very noticeably absent of late. I have, however been very busy. Finally finished the second Numerius Meridius Pulcher novel and am currently trying to get the final editing done. Any Beta Readers out there that care to help? Shoot me an email. It took a while for me to get this one down, had to go back and rewrite it more than once.
Currently I am working on the first installment of a new series: Dime a Dozen: A Denys and Dixie Delacroix Mystery of Old New Orleans. The first mystery takes place in 1913. It was the time of Storyville, Emma Johnson, Countess Willie, Tom Anderson and Jazz. Camel cigarettes had just introduced the first 20 pack of pre-mades; it became the industry standard.
On the back burner: the next Numerius adventure, tentatively call Numerius Meridius Pulcher and the case of the Prodigious Prefect. This romp will take Numerius back on a retreat to his Pompeii home and his good friend Julia Felix. It will take place in 62-63 CE.
Bronze Bacchic Mask- First Century (CE)
I keep a Pininterest file on art works that I might use in My NMP series as well as a separate art collection for an upcoming series and character costume and setting images for various potential works.
When I saw this mask I knew it was one I would use. Can’t wait to get to the Case it will be in!